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Let’s
Start with Something Uncontroversial: “The Passion of Christ”
Mel Gibson’s film “The Passion of the Christ”
made me wonder. I’m publishing a new book called Be
Happy Now on April 1st, and it’s about some
powerful methods I’ve discovered for being happy all the time.
You don’t want to offer something like that up without being
certain it works, so I’ve been testing and testing the practices
in Be Happy Now to make sure they’re
as bombproof as I think they are. I wanted to submit myself to one
last terrible trial, something that would break my happiness if
anything could, and I figured seeing Gibson’s film would be
just the thing. Watching an angry mob torture a beloved spiritual
teacher, Jesus the Christ, all the way to a painful, horrifying,
blood-soaked death, for over two hours: that would make anyone
unhappy, wouldn’t it? Well, my methods held up, believe it
or not, and “The Passion of the Christ” didn’t
make me unhappy. But it sure did make me wonder.
It didn’t make me wonder if it’s historically accurate
– it ain’t, an important fact, about which more in a
minute. I also didn’t wonder if the movie is too gory –
hey, if anybody anywhere has tortured another person, nailed
him to a cross, or spat on her as she expired – whether it’s
Jesus, Matthew Shepard, or Karla Faye Tucker – we’d
be wise to take a close look at it and talk about it. Perhaps we
should even take a regular gander, in our daily papers and on the
evening news, at some close-up color images of the war wounded and
war dead – women and children first among them – and
carefully consider that practice as well. That is, if careful consideration
is what we’re really about.
Neither did I wonder if “The Passion of Christ” went
overboard in portraying the physical and spiritual loathsomeness
of its Jews. Gibson went with caricatured hook noses, flying spittle,
and bad teeth – very, very bad teeth – not
to mention bloodthirsty mob personalities that would really harsh
out your party head, as they used to say when I lived in Santa Cruz.
Gibson is a very conservative Catholic and he made the choice to
portray the Jews in the film this way, and to endorse the theory
that the Jews were responsible for the crucifixion and Pilate a
benign bystander. Similarly, his choice to emphasize Christ’s
violent end rather than his transcendent life was his choice:
more likely to inspire hatred than love, but still just one man’s
choice. If you or I had Mel’s mind and a $30 million soapbox,
we might cough up something that would offend somebody, somewhere,
one way or the other, too. So while I found some of his choices
unilluminating, they didn’t provoke me to wonder.
What I did and do wonder about is this: why do we care about this
story anymore? Why are we still shouting at each other about what
was done to Jesus, who did it, what he did or didn’t say,
what kind of guy he was, or whether the Pope did or did not say
about Gibson’s movie, “It is as it was”?
I don’t mean to say that Jesus doesn’t matter, that
what happened and how it happened don’t matter, or that we
shouldn’t talk about it. All of those things are of interest
to me. But not nearly as much as some other things.
Before more shouting begins, allow me to explain what I mean. Jesus
was a man, a spiritual teacher, who lived in the Middle East, worked
as a carpenter, spoke his mind about some things, and pissed people
off badly enough that they murdered him. Of that much we’re
pretty reliably certain, and almost all the rest is speculation,
inference, imagination, and conjecture, based on the retelling of
a retelling of a retelling – times a few billion – of
a story told by one fallible, marginally conscious, opinionated
person after another: It ain’t the facts, it’s
folktales.
I happen to love folktales, but I love them for what they are:
stories that have been spun and respun by a huge cast of colorful,
sometimes crazy, often ax-grinding storytellers. Jesus
the Christ lived and died over 2000 years ago. The oldest living
person on earth is barely north of a hundred. So none of us was
there. None of our grandpappies was even there. If they had been,
they’d tell it just like they tell their memories of the World
War or the Great Depression or the first time they made love: from
their perspective, deeply colored by whatever state of fear, rage,
or whoopee they were in at the time, and irrevocably altered by
the weirdness of human memory over time and filtered through personality,
religious and political preference, and beer.
In other words, it wouldn’t be what happened, not even close
– it’d be a story about what happened. In the
case of Jesus of Nazareth, take that story, whisper it around in
a circle like kids do in school – only do it a few billion
times, instead of 13 – and throw in a noisy surrounding mess
of holy wars, crusades, tortures, beheadings, genocides, and ceremonial
flag-raisings conducted by people bent on using the story to obtain
power, wealth, and – ha! – “spiritual prestige”.
Why in the world would we spend our time talking about something
as weird and as far removed from the flesh and blood and food of
our daily lives as that? Why are we still shouting about it, killing
each other over it, even encouraging our children to kill other
people’s children over it?
What is commonly referred to as “history” is simply
a very strange joke, not a real, true, objectively factual thing.
Consider the Holocaust. That happened just 60 years ago, and there
are still many people alive today who were actually walking around
in Europe at the time, some of whom worked or were incarcerated
in concentration camps. Yet staggeringly there’s actual debate
going on – very loud debate – about whether or not it
even occurred. It most certainly did: there are mountains of photographs,
taped interviews, and film; Auschwitz is there to visit; if you
care to, you can still meet people with numbers tattooed on their
arms and the former Nazis who did the tattooing, and you can read
in German the logs of their transport and confinement, and of the
destruction of their family members. Nonetheless, only 60 years
later, you can hear already a cacophony of different tales competing
with each other about what was or wasn’t done, by whom, to
whom, and how many times. What is a person to think? What will a
person think a century from now, or ten?
And what I am I to think today of the accuracy of the Jesus story?
It’s widely agreed among Bible scholars that the Gospels were
written 40 to 70 years after Christ’s death, and not by the
disciples themselves but by a group of followers relying on both
oral and written accounts. If that’s so, is it even possible
that Mel Gibson got it right? That Pat Robertson or the New York
Times or the King James Bible, composed by 47 men in England 400
years ago who were ordered by an act of Parliament to reduce the
“diversities of bibles now extant in the English tongue to
one”, gets it right? That the rabbis tell it straight or that
some evangelist got it hot off God’s tongue and relayed to
us the Truth, no varnish, no spin to fill up the collection platters
so he could pimp out his bathroom with gold sinks and fur toilet
seats? Sorry, but I’m not in the market to buy the Brooklyn
Bridge.
What I am in the market for is a world I want to live in,
and in which I want my daughter to be able to live – a kind
world, a funny world, a sweet world where we go about our business
happily, peacefully, lovingly, with intelligence and good humor
and
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